SGM Studio 12 User Manual Page 6
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- Table of contents
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appendice
page 5
I D F E
1.3 Studio 12 Scan Control’s sections
1.3.1 - Manual presets
This is the most traditional area of lighting con-
soles and comprises 2 rows of 12 faders each,
which can be used as two 12 channel presets
(A+B) or as a single 24-channel preset (A); 2
faders used as masters for presets A and B; 2
buttons for enabling presets A and B (when
working in A+B mode) or switching the 24 but-
tons relative to the channels between the two
banks of 12 which make up preset A (when
working in 24-channel mode); 1 button for ena-
bling the SOLO function and 1 button for enabling the LINK function.
Mixing work between preset A and B (when working in A+B mode) can be done by setting the
time with the MANUAL PRESET CROSS TIME potentiometer.
This is a completely manually operated section and recognisable by its light grey knobs and prin-
ting.
1.3.2 - Registers
This section comprises a row of 12 faders for
regulating the Memory Registers.
Passing from one register to another can be
done setting the time with the REGISTERS
CROSS TIME potentiometer. This section also
includes GRAB, PLAY, RECORD, PAGE and
MODE function buttons.
This is a completely automated section and recognisable by its dark grey knobs and light blue
printing.
1.3.3 - Light chase controls
This zone is used for creating and controlling chases, i.e. sequence effects
obtainable using traditional luminaires controlled by the dimmers.
With Studio consoles, It’s possible to send chases directly to the GRAND
MASTER and the memory registers, so several chases can be output simulta-
neously, 2 of which are accessible in real time (1 via the REG control, the other
via DIRECT). Chases created can have a maximum of 12 steps, and it’s possible
to enable only the required steps of a chase. Steps can be just simple channel
on/off commands or channels can be switched on at a required level.
Chase runs are controlled by the SLOPE and RATE potentiometers, and can by
run in sync with a music signal.
3
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10
1or13 2or14 3or15 4or16
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or17
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or18 7or19 8or20 9or21 10or22 11or23 12or24
0
1
2
9
10
Aorpset
1
2
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4
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7
8
9
10
0
link solo
manual presets cross time
0
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10
0
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0
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10
manual presets
B
go
123456789101112
A
or
1÷12
B
or
12÷24
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1
2
4
8
16
32
1
2
4
8
off max
0
9
8
7
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5
4
3
2
1
10
0
reg chase direct
music step edit
rate slope
light chase controls
1
2
3
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5
6
7
8
9
10
min max
0
1
2
3
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5
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9
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min max
0
123456789101112
0
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registers cross time
smpte
record
page
mode
play
registers
grab
and
or
flash
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1
2
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0
- Studio 12 1
- General instructions 2
- 0 - Handbook layout 4
- 1.1 Main Features 5
- 1.2 Technical Specifications 5
- 1.3.1 - Manual presets 6
- 1.3.2 - Registers 6
- 1.3.3 - Light chase controls 6
- 1.3.4 - Masters 7
- 1.3.5 - DMX unit controls 7
- 1 2 3 4 5 6 7 8 9 8
- 2 - Console maintenance 9
- Aorpset B 10
- 4 - Manual Preset section 11
- 5.3 - Storing a scene 15
- 6.1 - Chase running 17
- 7. DMX Unit Control Section 18
- 7.1 - Direct mode use 19
- 7.3 Movement effects 20
- 7.2 Groups of units 20
- 7.4 Use in Reg mode 21
- 7.5 – The Utilities 21
- 7.6 - Creating a program 23
- 7.6.2 - Copying a program 24
- 8 - Setup functions 25
- 8.2 - Addressing the fixtures 25
- 8.4 - Available memory 26
- 8.5 - Built-in memory 27
- 9 - Using the connectors 37
- 9.1 - Pedal 37
- 9.2 - SMPTE socket 37
- 9.3 - MIDI connectors 37
- 9.3.1 - Midi IN - Note On 38
- 9.3.2 - Midi IN - Note Off 38
- 9.4 - RS-232 connections 39
- 10 - Using ‘Event Recording’ 41
- 10.2 - Creating a track 41
- 10.3 - Replaying a track 42
- 11.1 - Multiple units 43
- 11.2 - Multiple scanner units 46
- 12 - Quick reference 48
- 13 - Practical users guide 52
- 13.8 - Creating a chase 55
- 13.9 - Running a chase 56
- CONFIGURATION & SET UP 57
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